Asian Journal- The Filipino-American Community Newspaper

Monday
May 21st
Text size
  • Increase font size
  • Default font size
  • Decrease font size

Home AJ Magazines Red Carpet Cinemalaya Festival 2010 - Keeping the indie spirit in Filipino films alive

Cinemalaya Festival 2010 - Keeping the indie spirit in Filipino films alive

E-mail Print

cinemalaya 2010THE Cinemalaya Foundation, Cultural Center of the Philippines (CCP), Film Development Council of the Philippines (FDCP) and Econolink Investments present the sixth edition of the Cinemalaya Independent Film Festival and Competition on July 9 to 18, 2010 at the CCP. A total of 24 fi lms will be in competition in the New Breed category and the Directors Showcase category of the competition. The New Breed Category features two subcategories, namely the Full Length Feature and the Short Feature. Nine fi lms will compete in the Full Length section. These are Halaw by Sheron Dayoc, Limbunan by Gutierrez Mangansakan II, Magkakapatid by Kim Homer C. Garcia, Mayohan by Dan Villegas and Paul Sta. Ana, Rekrut by Danny Añonuevo, Sampaguita by Francis Xavier Pasion, Si Techie, Si Teknoboy at si JuanaB by Art Katipunan, The Leaving by Ian-Dean S. Loreños and Vox Populi by Dennis Marasigan. The fi nalists of the Full Length Feature category were awarded an initial seed investment of P500,000 from Econolink Investments Inc. as a production grant.

Ten films will compete in the Short Feature section. These are Boca by Zurich Chan, Breakfast with Lolo by Steven Flor, Dalaw by Janus Victoria, Despedida by Borgy Torre, Faculty by Jerrold Tarog, Harang by Mikhail Red, Hay Pinhod Oh Ya Scooter by Hubert Tibi, Lola by Joey Agbayani, P by Milo Tolentino and Wag kang Titingin by Pam Miras.

Big name and established directors will be adding luster to this year’s Cinemalaya in the new Directors Showcase. Competing in this category are Ang Paglilitis ni Bonifacio by Mario O’Hara, Donor by Mark Meily, Pink Halo-Halo by Joselito Altarejos, Sigwa by Joel Lamangan, and Two Funerals by Gil Portes. The Directors Showcase features works by Filipino directors who have directed at least three full-length feature fi lms which have been released commercially. The fi ve fi nalists of the Open category were awarded a seed production grant of P500,000 by Econolink Investments Inc. plus an additional P100,000 cash prize from FDCP.

The Best Full Length Feature fi lm will receive a prize of P200,000 and the Balanghai Trophy. The Best Short Feature fi lm will receive a prize of P100,000 and a Balanghai Trophy. The Best Film in the Directors Showcase category will receive a prize of P300,000 and the Balanghai Trophy.

This year, Cinemalaya pays tribute to LVN Studios with a retrospective of LVN fi lms. The LVN fi lms to be shown represent a cross section of important directors and different genres ranging from comedy, fantasy, war picture, musical to drama.

Slated to be shown in this section are Aladin, 1946 by Vicente Salumbides starring Jaime de la Rosa and Norma Blancafl or; Victory Joe, 1947 by Manuel Silos starring Rogelio de la Rosa and Norma Blancafl or; Sumpaan, 1948 by Susana de Guzman starring Ely Ramos and Norma Blancafl or; Higit sa Lahat, 1955 by Gregorio Fernandez starring Rogelio de la Rosa and Emma Alegre; Kundiman ng Lahi, 1959 by Lamberto Avellana starring Eddie Rodriguez and Charito Solis; Nukso ng Nukso, 1960 by Fred Daluz starring Pugo, Bentot and Sylvia La Torre; Sandata at Pangako, 1961 by F.H. Constantino starring Fernando Poe Jr. and Charito Solis; Haring Kobra, 1951 by Richard Abelardo starring Rogelio de la Rosa and Lilia Dizon; and Kung Ako’y Mahal Mo, 1960 by Gregorio Fernandez starring Nestor de Villa and Charito Solis.

The Cinemalaya Congress, which is a staple event of the Cinemalaya Festival, will be held on July 13 and 14 at the CCP Tanghalang Aurelio Tolentino (Little Theater). This year’s theme will be Liberating the Indie Film 2000-2009. The Congress aims to examine the myriad notions of "independence" in Filipino indie fi lms of 2000-2009, especially those on inexpensive digital video format; as well as look at how the fi lmmakers have resolved confl icts between their commitment to pursue an artistic vision and the need or desire to reach out to all types of audiences, from the elite to the popular. Filmmakers, writers, critics, members of the academe and industry and students from all over the Philippines are expected to attend the event.

Cinemalaya, in addition to the Competition fi lms, will feature the following sections—NetPac fi lms, Special Screenings, Retrospective, Kids’ Treats, and Ani: A Harvest of the Year’s Best. Other special highlights of the Cinemalaya Festival include the launching of two books, namely, The URIAN Anthology (1990-2000) by Dr. Nicanor G. Tiongson and Filipino Directors Up Close & Personal: The Golden Ages of Philippine Cinema 1950-2010 by Bibsy Carballo; a Forum organized by the Independent Filmmakers Cooperative and the Sine Taktakan, a talkback session with the 2010 Cinemalaya finalists.

( www.asianjournal.com )

( Published July 9, 2010 in Red Carpet Magazine p. 2 )

Pin It
 

La Beez Hive for Hyperlocal Ethnic News

Find us on Facebook!Follow us on Twitter!

AJTV