Delta 8 THC Guide

Delta 8 THC products are a new introduction in the world of natural herbal medicine. The most common of the offerings, Delta 8, is taken from marijuana plants and has a sedative effect. The plant is also said to act as a natural sedative for those who are highly stressed or who have issues sleeping. If you're looking for a product that can help you relax, be more alert, or just feel good, then Delta might be for you. Read on to find out more about this new addition to the market, and why it could be a real answer for those who are looking for a better way to deal with chronic pain.

The delta 8 thc products come in two forms - as a pill and as a gummy bear. The difference between the two is that the gummy bear version can be eaten, while the pill needs to be taken with water. The Delta 8 THC gummy bears are quite small, which makes them easy to take, and they're also high-quality. They have high levels of THC and therefore don't have many side effects for those who are sensitive to other pharmaceutical medications. People who are interested in trying the new Delta product should pick up a few doses and give it a try.

The Delta 8 thc products work very well in most people, although there are those who aren't comfortable taking them with food. If you pick up a bottle of the gummy bears, however, you won't have to worry about this issue. The low potency makes it easy to consume, and it's a great way to enjoy the taste of the Delta product without having to worry about mixing it with something that you're not going to like. These products are currently being offered online at a discount, so it should only take a few clicks to find a website where you can get the best selection of delta8 thc. Once you do find a website that has what you're looking for, make sure that you read through all of the products that are available before making your final purchase.

Best Delta 8 Products

  1. * Area 52's delta 8 products are the best ones for sale on the market today. There is a reason the company has the best selling delta 8 carts in the United States.
  2. * LAWeekly's post is a guide to finding delta 8 near me for consumers in a rush trying to get products in less than one business day. The vendors listed here offer overnight and priority shipping options.
  3. * LAWeekly also wrote about their list of the best companies that sell delta 8 THC. See if your favorite brand was praised or has any cons that you should be aware of, such as pesticides and inaccurate terpene labeling.
  4. * In order to find the best delta 8 products you will have to buy a few brands and see which gummies and tinctures you like best. For a shortlist of the best companies, read company reviews and watch brand critic videos.

Delta 8 THC Gummies

  1. * With the number of low quality brands out there, it can be hard tof ind the best Delta 8 THC Gummies. Always go with brands that provide transparency through lab tests and offer a refund guarantee so you can get high risk free.
  2. * Find a list of the strongest delta 8 THC gummies for sale today. The brands include extremely potent delta 8 products with CBN, CBD, CBG, and THCV as well.
  3. * Before you buy delta 8 gummies visit HeraldNet's guide on finding the best delta 8 gummies to buy in 2021. The list features how to avoid shady companies that sell black market distillate with harsh chemicals and harmful byproducts following extraction.
  4. * Look nowhere else than the roundup of Seattle Weekly's best delta 8 gummies. Featured brands include Everest, Area 52, 3Chi, and Diamond CBD.

Delta 8 Carts

  1. * The the best delta 8 carts are Area 52, Finest Labs, and Delta Effex. Stick to brands with full panel lab tests so you know that the CBD to delta 8 THC conversion process left no harsh chemicals or residues behind in your vape cart.
  2. * SFExaminer's critique of the best delta 8 carts calls out shady brands often found in gas stations, head shops, and smoke shops around the country. This includes Cake and Canna Clear who don't have proper licensing and lab tests required by the state of California.
  3. * Seattle Weekly made their own list of the commpanies think they make the best delta 8 THC carts. They tell first time consumers to be on the lookout for cheap distillate and brands that contain more than the 0.3% D9 THC limit.
  4. * Herald Net also looked at their favorite delta 8 carts. Their post includes resources from professional vapers and hardware manufacturers so you can store your carts safely to avoid leaking delta 8 vape carts.

CBD for Dogs

What to give a dog in pain - Modern Dog Magazine original article. According to CFAH, the best CBD oil for dogs with arthritis and best CBD dog treats are natural products that contain hemp extract and boswelia for a calming and inflammation reducing effect. Asian Americans in hip-hop discuss authenticity and making a cultural mark on the genre —

Asian Americans in hip-hop discuss authenticity and making a cultural mark on the genre

A wide-ranging discussion on Asian Americans in hip-hop included conversations about disrupting the model minority myth stereotype, pursuing music and artistic careers in hip-hop and navigating cultural challenges as Asian Americans in music. From L-R: co-curator of the event Justin Hoover, co-curator Ninochka MgTaggart, Fil-Am Richie Menchavez of Traktivist, Chinese-American rapper Jason Chu, Fil-Am dancer Arnel Calvario of Kaba Modern, Fil-Am rapper and DJ Kuttin Kandi and Chinese-American DJ Phatrick. Photos by Lowell Edward

Exploring the importance of respecting hip-hop’s uniquely racial foundation, and establishing a clear difference between cultural appreciation vs. appropriation

Since the start of the new millennium, hip-hop has expanded to become the de facto popular music genre for the new generation. Capitalizing on the popularity and the endless creative potential of the genre, non-black rappers and producers have emerged out of the woodwork to contribute their talents to an ever-expanding industry.

Asian and Asian American rappers have contributed their own bars and beats to the ever-growing genre. Subverting the image of the reserved, subservient Asian, hip-hop artists like Dumbfoundead, Rekstizzy and the Far East Movement have garnered steady followings around the world.

DJ Kuttin Kandi discusses the challenges of being a queer, disabled Filipinx-American in the music industry and the importance of standing in solidarity with other artists of color, primarily black artists.

Most recently, the charming raspy-voiced Nora Lum, aka Awkwafina — a rapper/actress who starred in two summer blockbusters: “Ocean’s 8” and “Crazy Rich Asians” — is recognized as a pioneer in Asian-American hip-hop for women as an unapologetically raunchy artist, disrupting the submissive Asian woman stereotype.

The boundaries of the who’s who in hip-hop have loosened up in the last few years, and in the era of diversity in all currents of entertainment, Asian American musicians are stepping up and coming together to implant their own cultural mark on the genre.

On Aug. 23, the Chinese American Museum Los Angeles (CAMLA) in Downtown LA hosted “Represent, represent! Asian Americans in Hip-Hop,” a presentation and discussion of Asian American representation in the hip-hop industry. (The event coincided with a current art exhibition “Don’t Believe the Hype: LA Asian Americans in Hip-Hop” that will be on display through Nov. 4.)

On deck were some of the Asian American hip-hop community’s most distinguished players: Chinese-American rapper Jason Chu, Filipinx-American rapper and activist Candice Custodio-Tan aka DJ Kuttin Kandi, Filipino-American Arnel Calvario of Kaba Modern and Filipino-American Richie Menchavez, creator and founder of Traktivist.

Each speaker shared their stories on how they came to the medium, and while each journey was singular, they all had a common theme: disrupt the model minority myth that plagues Asian Americans and, often, doesn’t leave room for creative expression.

“By the turn of every table, I am continuously calling in the often othered as I am reclaiming space and igniting the bruha within [me] who has been forgotten and shamed,” Custodio-Tan said, passionately sharing her artistic mission to unabashedly reflect her truth in her music.

She added that musical expression has allowed her to explore “healing and trauma as I challenge and address anti-black racism and the multiple oppressive micro- and macro-aggressions from individual to white supremacist heteropatriarchal institutional systems.”

Standing in solidarity with all people of color, especially with black Americans,  and recognizing the foundation of hip-hop  was a key touchstone of the panel.

“It’s impossible for us to be in this community without paying homage to our black brothers and sisters who built the creative foundation on which we express ourselves,” Custodio-Tan said. “We, as Asian Americans, must stand with the black community and other communities of color in solidarity to combat the rampant white supremacy that permeates in our world today. We can’t ignore that.”

A conversation on cultural appropriation

Hip-hop began in the 1970s in black neighborhoods in the United States, and it was borne out of the need for emotional creative express amid the racial, economic, political and social realities of young African-Americans and Caribbean-Americans.

What began as simple poetry performed to the backdrop of synthesizers and beats within the black power movement has evolved into a diversified $10 billion a year industry that spawns new artists every day.

But the entrance of a wider racial pool of hip-hop artists opens the door for artists to culturally appropriate elements of black culture into their own art, whether that’s changing their hair, vocabulary or their accent. So how do you creatively contribute something to a uniquely racially-founded medium without being accused of being a “culture vulture”?

Cultural appropriation is the act of cherry-picking elements of a minority culture for aesthetic reasons. In recent years, it’s been seen as a harmful act that frivolously accessorizes historically scorned aspects of a culture, disrespecting the struggle of the black community to hold on to those cherished aspects of their culture.

Activists postulate that the cultural appropriation of black culture by non-black individuals is a form of racism because it negates the decades of derision the black community has faced. In other words, when black folks do it, it’s seen as subordinate or lesser-than, but when non-black folks do it, it’s seen as edgy, creative or funny.

The use of African-American Vernacular English (AAVE), or speaking with a black accent (colloquially, a “blaccent”), by black Americans has historically and presently been stigmatized among all races — sometimes, even its own.

Black Americans have spent the better half of post-slavery America being mocked, criticized and denied upward mobility in America for their hair, facial features, clothing, vernacular or their regional manners of speaking, the writer Nia Tucker wrote in a 2017 article for NextShark called “Sorry Asians, My Blackness is Not Your Counterculture.”

“I have no problem with other [people of color] taking part in hip-hop and Black culture and being able to relate to the stories in the music, but the issue comes in when the culture becomes your counterculture, and is what allows you to defy whatever constrictions you feel by your own personal ethnic identity,” Tucker wrote.

Many Asian American performers have adopted AAVE in their art and have subsequently been accused of being “culture vultures.” Lum — who grew up in Queens — regularly speaks with a New York City black accent and has been the subject of criticism for her manner of speaking in “Crazy Rich Asians” which is utilized in a comedic way.

Fil-Am entertainer Bruno Mars, whose career was built on the heels of James Brown and Michael Jackson, has been accused of cultural appropriation in his music and on-stage persona.

And many Asian American artists and musicians recognize this. Every speaker at the CAM panel addressed the need for Asian Americans in the music industry to not be afraid to tackle these issues and to formulate nuanced conversations around them.

Menchavez, whose radio station and blog Traktivist seeks to hold conversations about the Asian American imprint on music, believes in taking the discussion of cultural appropriation seriously and exploring perspectives in a nuanced way.

Rather than reactively defending the Asian American hip-hop community amid accusations of cultural appropriation, those in the community should listen to and address these concerns while forming their own brands of hip-hop which will, in turn, establish a uniquely Asian American voice within the genre.

“As a community, we have to talk about that first: what does being an Asian American mean to us and what does that sound like if we want to be a collective?” Menchavez offered at the CAM panel. “Because what’s happening right now is very prevalent, especially with Awkwafina, [Korean-American rapper] Jay Park and Bruno Mars. We have to talk about cultural appropriation because it’s on people’s minds because there are people who say we shouldn’t be participating in hip-hop at all. So I think that’s something we need to think about as artists: what does it mean to be Asian Americans in hip-hop? We need to figure out what that is and, importantly, what that sounds like.”

Klarize Medenilla

Klarize Medenilla is a staff writer and reporter for the Asian Journal. You can reach her at k.medenilla@asianjournalinc.com.

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